![]() ![]() For a hard copy lesson on a song I've already transcribed, the cost is $60 postpaid. Hard copy lessons are available only for U.S. I now offer lessons in two formats: hard copy or virtual. And I do not take new transcription orders for songs that are played with a slide in the fretting hand. And I do not do transcriptions of, or lessons on different versions of songs by an artist that I've already transcribed one version of, unless the requested version is played in a different playing position or tuning than the version I've already transcribed. I do not do transcriptions of, or lessons on pieces recorded by present-day, living musicians or of performances posted on youtube by present-day musicians. Please note: TABs are not sold, except as part of a lesson order. The list for the Country Blues tunes is alphabetical by the first name of the musician and for the Jazz Standards, which have the playing positions/tunings listed for each song, alphabetical by the song's title. Here is a list of transcriptions that I have done that are not available on my instructional DVDs. John Miller's Country Blues Guitar CollectionĬountry Blues/Jazz Standards/Original Compositions: Transcriptions by Artist ![]() Improving Your Ear for the Country Blues Guitarist (2 DVD Set)Ĭountry Blues Guitar in Spanish & Vestapol Tunings Introduction to Chord Theory & Chord Voicing: 2 DVD Set For ordering and complete information, click on titles below. John has also done a series of instructional DVDs for Stefan Grossman’s Guitar Workshop. John has extensive experience teaching groups, with many years service teaching at such music camps as Puget Sound Guitar Workshop, Georgia Strait Workshop, BC Swing Camp, the California Coast Music Camp, the Port Townsend Country Blues Workshop, Augusta National Heritage’s Bluesweek and the Euroblues Promotions Limited's Bluesweek. John offers private lessons in Bellingham and Seattle (see contact information), and can do lessons through the mail, as well. He is available for private instruction in finger-picked Folk guitar, Country Blues guitar, Brazilian guitar, Music theory and chord voicing and composition. He was his own person within the tradition.In addition to his work as a composing and performing musician, John Miller has close to forty years experience as a music teacher, having begun teaching privately while still in high school. He has these almost suspended-sounding chords when he’s singing in the early version, and he slides between the notes in a way where it’s almost like he’s speeding up and slowing down the feeling of time. He has a bass line in his version, and he voices the chords differently. “Skip has entirely different melodies, and the harmonic qualities of it are different. “But Skip’s way of playing it is really quite different. “When you hear Jimmy and Jack Owens play ‘Hard Times,’ or ‘Hard Time Killin’ Floor,’ you can hear how connected they are,” Crosby says. ![]() One of the earliest and best-known riffs in the blues canon, “Hard Time Killin’ Floor Blues” sounds as desolate and dark as a windswept winter night.Īlthough Willie Dixon served as the inspiration and origin for some of Led Zeppelin’s early work, Jimmy Page echoes James’ minor step-down here on “Dazed and Confused” from Led Zeppelin I, a motif that resurfaces again and again across the hard-rock and metal canon.
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